Hierarchical Social Structure :: Philosophy Philosophical Essays

Hierarchical Social StructureSocieties light with a hierarchical structure in which atomic number 53 must depress from the top of its basic structure, by dint of its intermediates, before hitting the bottom of the sociologically defined society. The pyramid scheme begins with a single individual, as presented by Diego Velasquez in The Waterseller of Seville. This painting portrays a cycle of life by its measure patterns and smooth curves, like that of a full moon with its smoothening effeminacy as it blends into the clear, midnight sky. At its center is a clear cup fill up with water, like the water of life that quenched the dying macrocosms thirst in a hot desert. It is being passed around triplet men, who also stand in a circular fashion. They map one body in different demonstrates of life. The teenage boy, in his school homogeneous of a black jacket and white dress shirt, looks at the applesauce as would a child at a chocolate geek cookie, craving and yearning for that bit of sweet chocolate encased by a soft sugary dough. He is eager and ready to post on the next step of satisfying himself and his thirst for knowledge. The old worldly concern on his right is wearing a very bright cerise cloak that reflects off onto his hands and face, giving it a red glow as well. He reminds one of the story of the red balloon that befriends a young boy while floating round and about in a protective and guiding manner before it was accidentally burst. He too has his hand on the cup as if to receive it from the young boy, as if they are passing this bit of knowledge onto the next stage of life, where he is now present. His hand rests upon a large water immure with such smooth curves, like the soft ripples in a pool after a rock skids across its surface. It contains that bit of knowledge carried through the years from life, flowing as would water. Behind the young boy and man is a more mysterious figure, like a spirit from the hellhole whose face is trans parent. He, too, holds a glass in his hand, but unlike the other(a) two, he is actually drinking from it. He is the symbolic representation of a completion in the rites of the glass. In the center, lie both Grant woodwinds American Gothic and Pablo Picassos Acrobats Family with a Monkey, which represent the basic unit of family.