Streamlining :: Norman Bel Geddes Theater Essays

Streamlining Ukrainian responsibility Theater Foyer - Norman Bel Geddes, Horizons Norman Bel Geddes was a Broadway gift designer turned industrial designer. During much of his life, his ideas stretched beyond the batch of most people. He encountered a lot of apprehension toward his innovative ideas, umteen of which never left the drawing board. Yet, Geddes notions of Streamlining are important to understanding worldly concern life. Steven Heller and Louise Fili (1995) write, Streamlining was at once the engine of progress and a fable for the fast tempo of daily life (p. 80). To Geddes, streamlining illustrated courage We are as well much inclined to believe, because things do long been d genius a veritable way, that that is the best way to do them. Following old grooves of thought is one method of playing safe. But it deprives one of initiative and takes too long. It sacrifices the esteem of the element of surprise. At times, the only thing to do is to cut absolve and do the unexpected It takes more even than imagination to be progressive. It takes romance and courage. Geddes deserves our attention because so many of his visions remain a part of our corporal consciousness in the form of semiotic phantoms that endure the many changes that have taken place sense his age. Photo borrowed from Dannysoars Geddes page. Norman Bel Geddes was born(p) in Adrian, Michigan, in 1893 to a wealthy family. But, by the time he was seven, his father lost everything in the stock market and drank himself to death a few years later. Norman, his mom, and younger brother lived in poverty for the catch ones breath of his childhood. But his mother was a cultured woman and she shared her gratify in the theatre and opera with her sons. Norman loved to draw and rouge and his mother encouraged him (Russell, 1974, p. 8). During this time, they moved a lot. When Norman was in the 9th grade, he was expelled from school. A cartoonist whod heard about him helped him get into the Cleveland Institute of Art. Norman also attended the Chicago Art Institute for a brusk time, but school really wasnt his thing. His strong interest in stage and opera grew and soon he found his niche (Russell, 1974, p.10). Geddes most illustrious contribution to stage design was in lighting. Back then, the sole utilization of lighting was visibility.