Music In World War One Music Essay

Music In creative activity warfare sensation Music Essay genuineal medicinal drug is undisputedly a vast notion usu solelyy committed with the traditions of Western art, spiritual and also concert medical specialty, encompassing a large degree from roughly yard to the present day. Classical medication developed as a separate movement in the flowing between 1550 and 1900 especially at that time all the worked out theories were wide transformed into practice. The of import goals of this piece of music are to write about the style of classical music during World War I, and the affect of the World War on classical music.Evaluating the notion of classical music the first that comes to my mind is the names of the Classic Mohi keisters. It is truly impossible to imagine classical music without Beethovens symphonies. His genius is confided in his symphonies and piano concerts, and in verity Beethovens music represents a so-called catalogue for every iodin who loves classics.Beetho ven personalized the stand that music was a necessitate outpouring of a composers personality, his individual triumphs and tragedies.It should be noted that Joseph Haydn is often considered to be the father of classical music. The deeds of the composer served as a strong base for the other classical works. His work during this era forms the basis of go for others who wrote classical music. Surprisingly, but he was not as much popular as Beethoven or Mozart despite Haydn was a progenitor of the classical music. The Surprise symphony is recognized one of the most grownup works in the world.The development of the classical music in the pre state of war period is rather fluent as there took place different styles and genres that had a serious impact on modern music. commencement with the Baroque poque, it covers the period 1600-1750, declaration of moods and emotions appeared to be the central idea used in music. Feelings and emotions were imparted through headstone and strict me lodic organization. The Middle Ages brought a revaluation of goods in the minds of composers and merging into the clerical practice gave parentage to unseasoned evaluation of musical objective and functions. Music was entirely the vassal of religion. According to Busoni (1957), we see that especially for the Church servants in the Middle Ages, music was recognized good only on condition that it would unmannerly the mind to Christian teachings and disposes the soul to holy thoughts. Addressing to Baroque poque, most philosophers and musicians were captured by the idea that there was a cosmic relationship between mathematics science music.We must express gratitude to Pythagoras discovery of the The Harmonic serial or overtone series numerical relationship between musical interval and string length. Resuming on the Baroque period it is worth to mention such outstanding musicians as Bach, Vivaldi especially remembered for The Four Seasons. His enthronement in the development of classical music refers to enriching the German classical music with contrapuntal technique. He extrapolate the achievements of musical art in the Baroque epoch.The composers of Baroque music were alarmed by reproduction of gentleman emotions (namely passions and devotion) and tried to convey it with the help of music tonality. They wrote music that was close to imitate the emotions. And the succeeded in expressing the unique activated mood through musical means.The Enlightenment period brought its affection for natural law and practical pietism over fantastic religion and metaphysics. This was a major shift towards music and arts connection. At that period of time music has its main purpose to inspire simplicity and elude the complication of contrapuntal devises.romance style in music was marked by suggestion, metaphor, ambiguity, allusion and symbol and as a consequence appeared slavish music, which was escaped by the early Church. It could be noted that the discreet, flourish ing world of instrumental music corresponds to the conceal non-substantial world. The credo of Sc anticipatenhauer, as the main representative of romantic epoch, concerning music was that the very image and incarnation of the inmost reality of the world, the immediate expression of the universal feelings and impulsions of life in concrete, definite form.The temp of life during the snatch decade of the 20-th century was becoming faster and faster. The technological progress expressed by the automobile and piece of paper transportation was not striking news. Popular music went step by step with this speed development, forming new musical trims such as jazz and swing. Despite this fact, the great unwashed were still very nave and simple. and by the end of the decade that simplicity and naivety was befuddled as the nation found itself move in the World War 1. Evaluating the level of popular music, it is pleasant to mark that popular music was in its golden age. That was a period w hen the best and the most fruitful ideas were put into practice. It may seem contradictory but World War 1 only declareed its great creativity and vitality. Some people prove that namely music finally helped to win the war. The fact how music helped people to survive and to negociate with horrors of war is of especially great importance. By May 1915, when a great number of the Statesn civilians lost their lives the war tension started to be strongly reflected in music. The first songs about war appeared to be quite a romantic and full of antiwar feelings, Dont Take My Darling boy Away by Helen Clark Joseph A. Phillips and some others Fido Is A acerbic Dog Now, Missouri Waltz, Rebecca Of Sunny-Brook Farm, St. Louis Blues. Chas. K. Harris composed When Angels Weep in which the lyrics makes everyone to think that we are brothers and that it is necessary for us to entreat for peace. During that time American nation was divided into two classes those who supported neutrality and those who insisted on mutual assistance. By 1915, more songs about war appeared. Frank Hudson composed a song I Didnt Raise My Boy to Be A Soldier with his song, I Tried To Raise My Boy To Be A adept but still he music motives remained neutral.By 1916, most Americans came out in support of war and infused Congress to declare the war.The greatest hits were still neutral songs and brought some the greatest hits such as Nola, What Do You Want To Make Those Eyes At Me For, Have A Heart (Jerome Kern) and Poor Butterfly.By the April 1917, when America finally declared the war, the nation was fully engaged in it as well. Fuld and Lichtenwanger (1966) stated that composers started to invent music primarily related to war and the role of America in it. The music industry was runway at full blast and we can observe the notes of patriotism in these short musical messages. Leo. Feist was one publisher that focused a great deal of attention on the role of music in the war, even declared that M usic Will Win the War. The central idea of his article is A province that sings can never be beaten. And definitely those words are reasonable.During that time American songs started to widespread all over the world. Songs worked as a motive power of soldiers spirit. According to Albright (2004), it became obvious that the only thing that had a chance to inspire soldiers for victory was a kind, catchy melody. Later, the musical direction shifted to the appeal of population to cooperate in the war and to help its countrymen. Joseph W. Stern, a famous music publisher, usually printed slogans and patriotic ideas on covers, for face Food will win the war, Dont waste it Another Sterns contribution was that he divided World war music into 6 categories, such as ballad type, cheer-up type, stirring march type, comic type, appealing for support type, victory type. Whether music influenced the war outcome or not will remain a palaver question, but without any doubt the war had an enduring effect on music.Right after the rootage World War and after the experienced gamut of the emotions, many composers came back to past centuries achievements in search of divine guidance and composed their works implementing the outgoing elements (it concerns structure, melodic tonality and form) from that works. The new trend claimed of itself. The name of this trend was neoclassicism. The main representatives of neoclassicism are Igor Stravinsky (famous for his Pulcinella and Symphony of Psalms), Sergei Prokofiev (for Classical Symphony), Ravel (for Le Tombeau de Couperin) and Hindemith (for Mathis der Maler).Neoclassicism was a new formed 20-th century trend, running in the period between the two World Wars. Musicians mostly returned to aesthetic concepts associated with classicism, namely order, balance, clarity, economy, and emotional restraint.Neoclassicism can be called a reaction against emotional outbreaks and realized lack of form. The main point of neoclassical trend was oriented on rhythm, harmonic tonality and centrality on absolutist tendencies in music which worked as a complete antithesis to romanticism period.By its thematic organization, neoclassical music works recalled the early classical music trends. Neoclassical music developed in two directions German and French. The brightest representative of French neoclassicism was Igor Stravinsky. He is widely known for his ballet Pulcinella.Addressing to German neoclassicism, the outstanding role belongs to Paul Hindemith. This composer worked in the development of chamber music, instrumentation and contrapuntal operas.Neoclassicism was quite popular in America and found its supporters there. It was the school of Nadia Boulanger that proclaimed the ideas about music based on her understanding of Stravinskys music.To crown it all together, classical music has overpassed great changes during the World War 1. There formed new trends in music such as patriotic, marching, victory and others which gave people the hope and support in the most challenging moments. The World War music left a scarce imprint in the history of many nations.